Décalages Radio Show // 1 Jan 2017

Sunday 1st January 2017, Radio Lebanon 96.2FM (10am-12pm)

The best way to start the year, undoubtedly, with a selection of tracks from Lebanese, Palestinian and Egyptian artists and bands:

1. Safar: No service (lb)
2. Alko B: Charlie / And out (lb)
3. Nadine Khouri: A song to the city (lb)
4. Ramly: The cold (lb)
5. Aya Metwalli: Triangle (eg)
6. Bachar Mar-Khalife: Ya nas (lb)
7. Maii & Zeid: Hassafer baeed (eg/lb)
8. Zeid & The Wings: Cowards (lb)
9. Wake Island: Milad majik (lb)
10. Gurumiran: Dreamer (lb)
11. Filter Happier: Dust (lb)
12. Fadi Tabbal: A glass tower (lb)
13. Youmna Saba: Khyout / Sadeeq (lb)
14. Youmna Saba: Al hitan (lb)
15. Postcards: Porto (lb)
16. Charlie Rayne: Madeleines (lb)
17. Serge Yared: 2HJ (lb)
18. The Incompetents: Closing time (lb)
19. Heroes & Villains: Out of credit (lb)
20. Etyen: Lo siento (lb)
21. Kid Fourteen: Find your lover (lb)
22. Mashrou’ Leila: Wa nueid (lb)
23. Sandmoon: Time has yet to come (lb)
24. White Trees: Natural symphony of sounds and colors (lb)
25. Safar: Wa namchi (lb)
26. Interbellum: Double back (lb)
27. Tamer Abu Ghazaleh: Hob (ps)
28. Maryam Saleh: Walaa soda (eg)
29. Mme Chandelier: Minimal potato (lb)
30. El Rass & Munma: Kashghara (lb)


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(2016 end-of-year lists) – SERGE YARED

We asked some of our musician friends and collaborators to tell us about their 10 favorite albums of 2016.

SERGE YARED (The Incompetents)

Leonard Cohen – You Want It Darker
Roisin Murphy – Take Her Up To Monto
Anna Meredith – Varmints
Brian Eno – The Ship
David Bowie – Blackstar
Angel Olsen – My Woman
Swans – The Glowing Man
Whitney – Light Upon The Lake
Anohni – Hopelessness
Beyoncé – Lemonade
+
Seth Bogart – Seth Bogart

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lc

Ruptures Radio Show // 6 June 2016

Monday 6 June 2016, Radio Lebanon 96.2FM (8-9pm)

1. Tamer Abu Ghazaleh [ps]
2. Tamer Abu Ghazaleh (feat. Rabea Jubran & Muqata’a) [ps]
3. Maryam Saleh & Zeid Hamdan [eg/lb]
4. Al Darwish (El Rass prod.) [sy]
5. Munma (from ‘Three Voices’) [lb]
6. El Rass & Munma (live at Oshtoora) [lb]
7. Muqata’a (Babok remix) [ps]
8. Mutamassik (from ‘Symbols Follow’ LP) [us]
9. Rakans [lb]
10. Sandmoon (from ‘In The End’ EP) [lb]
11. Serge Yared (feat. Julia Sabra) [lb]
12. Interbellum (feat. Julia Sabra) [lb]
13. Heroes & Villains [lb/ca]
14. Sandmoon (from ‘In The End’ EP) [lb]


 

(2014 end-of-year lists) – SERGE YARED

I asked some of my musician friends from Beirut, to list their 10 favorite albums of 2014…
Or the music they’ve listened to the most during the past year, regardless of date of release

Serge Yared (The Incompetents)

Albums:

1. Hobocombo: Moondog Mask
2. Scott Walker & Sun O)))): Soused
3. Richard Reed Parry: Music For Heart & Breath
4. Perfume Genius: Too Bright
5. Marianne Faithfull: Give My Love To London
6. Aphex Twin: Syro
7. Brian Eno & Karl Hyde: High Life
8. Baxter Dury: It’s A Pleasure
9. Chuck E Weiss: Red Beans & Weiss
10. Naomi Shelton & The Gospel Queens: Cold World

Reissues:

1. The Velvet Underground: The Velvet Underground & Nico
2. Jon Hassell & Brian Eno: Fourth World, Vol. 1: Possible Musics
3. Bob Dylan & The Band: The Complete Basement Tapes
4. Various artists: C86
5. Captain Beefheart: Sun Zoom Spark 1970-1972
6. Yo La Tengo: Extra Painful
7. Ariel Kalma: An Evolutionary Music (Original Recordings 1972-1979)
8. The Unicorns: Who Will Cut Our Hair When We’re Gone?
9. Led Zeppelin: III
10. Craig Leon: Anthology Of Interplanetary Folk Music Vol. 1: Nommos/Visiting

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(2012 end-of-year lists) – SERGE YARED

I asked some of my favorite musician and artist friends, from Beirut and beyond, to list their 10 favorite albums of 2012…
Alternately, they could also provide me with a list of the records they listened to the most in 2012, regardless of date of release.

Serge Yared (musician, The Incompetents)

1- Scott Walker: Bish Bosch
2- Dr. John: Locked Down
3- Julia Holter: Ekstasis
4- Fiona Apple: The Idler Wheel Is Wiser Than the Driver Of The Screw And Whipping Cords Will Serve You More Than Ropes Will Ever Do
5- Beach House: Bloom
6- The Weeknd: Trilogy
7- Spiritualized: Sweet Heart Sweet Light
8- Sun Kil Moon: Among The Leaves
9- Ry Cooder: Election Special
10- Frank Ocean: Channel Orange

(2011 end-of-year lists) – SERGE YARED

I asked some of my favorite musicians from Beirut and beyond, to tell me what their favorite records of 2011 were…

Serge Yared: musician (The Incompetents)

“I start the list by cheating. The album was recorded in 1966-1967, was available as a bootleg but was released officially for the first time this year! As a long-time Beach Boys obsessive I have to put at the top of my list the …

1SMILE boxset. And by boxset I mean the hardcore one with 5 hours of outtakes and demos. The idea of listening to a work in progress might sound tedious and in most cases it is. But when you have a piece of art that complex being built sonically brick by brick before your eyes (ears, actually – your friendly editor), it takes this game to another level.

2– For the sake of coherence I will include another reissue here: the release of the legendary 1973 concert by the Rolling Stones titled A Brussels Affairs: The Rolling Stones Live In Belgium, only available here… http://www.stonesarchivestore.com/Product.aspx?cp=53655&pc=BGDDRS67 .

This album is a masterpiece of raw energy. The band is literally propelled by Mick Taylor and reaches its zenith with the proto-post rock of “Street Fighting Man”. You can listen to this version on YouTube and you will see the missing link between the Stooges and Spiritualized.

3 & 4–  Now the ‘political’ albums: British polls almost unanimously praised PJ Harvey‘s Let England Shake, I preferred its American counterpart, the excellent Pull Up Some Dust And Sit Down by Ry Cooder, adapting Woody Guthrie’s protest-song tradition in the late 2000s’ economic crisis context. A highly rich melting-pot mixing pop, rock, mariachi, folk, jazz, reggae, ragtime etc. To me these two albums capture the spirit of 2011 in terms of content and themes.

5, 6 & 7– 2011 marks the comeback of three voices and sounds. Duane Eddy‘s legendary twang guitar sound rejuvenated by Richard Hawley in the excellent Road Trip. In these days of rockab’ revival his style remains unmatched. The second good surprise comes from Kate Bush‘s 50 Words For Snow. This album is totally… off, showing, if need be, another display of her artistic insularity. Kate is in her world: a world preserved from economical and political crises, a world unaffected by contemporary sounds — why should it be, since most contemporary artists try to replicate hers, a world in which collaborating with Elton John is still a good thing. Last but not least 2011 marks the Return of the Sweet Ogre. Tom WaitsBad As Me is an almost perfect album: traditional and experimental, sometimes political, sometimes sentimental and nostalgic: there is something for everyone

8, 9 & 10– I managed to absorb in extremis three contemporary albums that captured the sound of 2011 to me. M83Hurry Up, We’re Dreaming, Bon Iver‘s and James Blake‘s self-titled albums.

I will definitely listen a lot to M83’s epic double album in 2012. It is in line with the tradition of classic double albums in which each song explores a genre. One can think of course of the BeatlesWhite Album, The Clash‘s London Calling, Stevie Wonder‘s Songs In The Key Of Life, Prince‘s Sign O’ The Times, Bruce Springsteen‘s The River, Smashing Pumpkins’ Mellon Collie And The Infinite Sadness, etc.
I picked an album I admit I won’t listen to very often: it is Bon Iver’s. He forced my respect by (already…) reinventing himself, breaking this loner folky image he built with his first album.
Last but not least, I chose James Blake because he managed to mix perfectly the warmth of white soul with dubstep. He reminded me of Bowie‘s similar effort three decades or so ago to mix white soul with motorik sounds in Station to Station (1976).

11– Forget about Lady Gaga! My favorite pop album is Beyonce‘s 4.

12– Impossible not to cite it. ‘It’ is of course Loutallica‘s Lulu that kept me busy on Facebook for almost two months. A glorious first-degree nadir that could have been totally forgotten had Lou Reed restrained from arrogantly proclaiming it ‘best album ever made’. Reed got used of seeing his albums vilified by the critics before being later re-appraised: it happened with White Light, White Heat, it happened with Berlin, it happened with Metal Machine Music, it happened again with Street Hassle. But no! Lou, it won’t happen with The Raven and it won’t happen with Lulu either, despite its elegiac ending (“Junior Dad”).”