It had been a while (five good years actually) since we’d done this, so we went ahead and asked the musicians whom we worked with this year in some respect or other, to tell us about their favorite albums of 2021.
It had been a while (five good years actually) since we’d done this, so we went ahead and asked the musicians whom we worked with this year in some respect or other, to tell us about their favorite albums of 2021.
It’s been a while (five good years actually) since we’ve done this, and so we’ve gone ahead and asked the musicians whom we worked with this year in some respect or other, to tell us about their favorite albums of 2021.
It’s been a while (five good years actually) since we’ve done this, and so we’ve gone ahead and asked the musicians whom we worked with this year in some respect or other, to tell us about their favorite albums of 2021.
It’s been a while (five good years actually) since we’ve done this, and so we’ve gone ahead and asked the musicians whom we worked with this year in some respect or other, to tell us about their favorite albums of 2021.
It’s been a while (five good years actually) since we’ve done this, and so we’ve gone ahead and asked the musicians whom we worked with this year in some respect or other, to tell us about their favorite albums of 2021.
It’s been a while (five good years actually) since we’ve done this, and so we’ve gone ahead and asked the musicians whom we worked with this year in some respect or other, to tell us about their favorite albums of 2021.
It’s been a while (five good years actually) since we’ve done this, and so we’ve gone ahead and asked the musicians whom we worked with this year in some respect or other, to tell us about their favorite albums of 2021.
Ziad Nawfal’s November 2021 mix for Radio Alhara in Bethlehem featured a guest takeover from Beacon Sound’s ANDREW NEERMAN:
“In anticipation of the release of Proof By Infinite Descent, Anthony Sahyoun’s debut album on Ruptured and Beacon Sound, I’ve taken over Ziad Nawfal’s hour on Radio Alhara today and assembled this unavoidably melancholic, yet occasionally buoyant, mix of friends and fellow travelers, as well as a few of my favorite tracks from the album. Hope you enjoy – Andrew”
1. Sary Moussa – In Praise Of Shadows
2. Massive Attack – Fatalism (Sakamoto/Takahashi Remix)
3. Anthony Sahyoun – The New World
4. Fadi Tabbal and Julia Sabra – Roots
5. William Basinski – O, My Daughter, O, My Sorrow
6. Burial – Endorphin
7. Fever Ray – Dry And Dusty
8. Tim Hecker – Castrati Stack
9. Aya Metwalli – Matkhafsh Menni
10. Muqata’a – Ma Wara’
11. Anthony Sahyoun – Jesuit Literature Drowning In The Mediterranean
12. Gabriel Saloman – Adhere Pt 3
13. Anthony Sahyoun – Irhamna (Amulets Remix)
14. Beacon Sound Choir – Fortunate Ones
RELEASING 19 NOVEMBER 2021 ON RUPTURED: First solo album by Lebanese musician Anthony Sahyoun, marking the launch of the ‘Corrosion Series’ by Ruptured Records in Beirut and Beacon Sound in Portland.
After making a name for himself over the last decade in Beirut’s vibrant contemporary music scene, Anthony Sahyoun unveils his solo debut, the evocative and atmospheric Proof By Infinite Descent. Using guitar, synthesizer and voice, Sahyoun tackles themes of mourning, accidental prophecy, and the new holy trinity of God, Capitalism, and Technology – all while mining the seams of experimental electronica and gravity-defying ambient music. Restless, haunting, at times breathtakingly beautiful, this is an album that seeks to rattle cages rather than soothe the comfortable.
Anthony Sahyoun co-founded instrumental rock outfit Kinematik in 2015, in the remote village of Reyfoun in the Lebanese mountains. To this day, the band has released three full-length albums entitled Ala’ (Ruptured, 2017), Murur Al-Kiram (Beacon Sound/Ruptured, 2020) and Al Jadi (Ruptured/Annihaya, 2021).
As a solo artist, Sahyoun works on electronic processing of acoustic elements, programming, drone and ambient music – his music has been described as “apocalyptic, rich and emotionally charged.” His first EP, Post Coital Tristesse, was released under the moniker Mme Chandelier by Ruptured in 2016.
Proof By Infinite Descent is the first installment in the “Corrosion Series”, a new project by longtime collaborators Ruptured and Beacon Sound that aims to showcase Beirut’s blast-resistant music scene, while building cultural connective tissue in a time of institutional corrosion.
To accompany the release of the album, Beacon Sound and Ruptured have commissioned two remixes of key album tracks, from Beirut-based producer Sary Moussa and Portland-based producer Amulets. Both remixes will be given away as bonus tracks with the purchase of the full album.
Available as a digital album and a limited edition transparent vinyl LP.