Acclaim for Sandy Chamoun’s solo album Sawt El Doumouh, released by Ruptured in June 2026.

“Sandy Chamoun’s second solo record was planned as a response to her native Lebanon’s landscape, combining the Arabic vocal tradition of tarab which she was brought up singing with cantu, polyphonic Sardinian folk. When genocide and war made this impossible she reframed the project as Sawt El Doumouh. Chamoun’s layered, winding vocals are generally in dialogue with just one or two other elements, as on ‘Shahed’ where they wash and flow around a simple, dry repeating hand drum, or the billowing clouds of organ on ‘Ward W Shok’. Chamoun also makes use of Auto-Tune to produce eerie, supercharged ululations. The emotional charge seems to flicker between the extremes of grief and hope, but is probably best thought.” – Sam Davies, The Wire

“This is a mournful record and a defiant one, artful and adventurous, rooted in multiple traditions without feeling like an exercise in any of them. The connections Chamoun makes between Tarab’s emotional directness, Cantu’s polyphonic ritual structure and the granular possibilities of electronics feel genuinely synthesised rather than assembled. And the songs themselves, whether they soar or sigh, capture a reality of mixed hope and despair that’s more nuanced than what the gravity of the subject matter typically inspires. That’s not a small thing to manage when the material is this heavy, and the times are what they are.” – Zaid Kreshan, SceneNoise
https://scenenoise.com/Reviews/Sandy-Chamoun-s-Sawt-El-Doumouh-Turns-Sorrow-Into-Something-Stranger

“On opening track ‘Khafiy خفي’, Chamoun’s voice is sculpted by AutoTune and placed into an ecstatic clearing, accompanied only by slow-motion drums and scraping resonances. But on the brilliant ‘Shahed شاهد’, her tarab folk song dissolves mid-way through into the ether, the syncopated percussion turning into 4/4 claps and a circle of voices emerging, met eventually by Sayhoun’s microtonally-tuned modular bleeps. It’s music that can’t help but affect the body entirely.” – Boomkat
https://boomkat.com/products/sawt-el-doumouh

“Opening with heavy drums and keening vocal lines, the record balances weight and lift. Tracks like ‘Ward W Shok’ and the title piece move between restraint and release, while ‘Shahed’ pairs desert-like rhythms with fluid synth textures, inspired by an imagined scene of distance and witness. Throughout, Chamoun’s compositions carry both fragility and resolve.” – Norman Records
https://www.normanrecords.com/records/215585-sandy-chamoun-sawt-el-doumouh

“Despite the sound of tears, Chamoun’s album imagines ways to find light & hope, and you can hear that in the way her voice rises over heavy percussion and electronics. Beautiful.” – Peter Hollo, Utility Fog broadcast https://bit.ly/3QsYcD4

Included in Rapid Fire Album Recommendations for June 2026 by Outside Noise.
https://bit.ly/3SiYe0N

Sawt El Doumouh review by Nowamuzyka.pl.
https://www.nowamuzyka.pl/2026/06/07/sandy-chamoun-sawt-el-doumouh/

Sawt El Doumouh review by Anxious Musick Magazine.
https://anxiousmagazine.pl/recenzje/sandy-chamoun-sawt-el-doumouh/

Read: “Beyond and Above Sandy Chamoun’s Sounds of Tears”, by Christina Hazboun.
https://leguesswho.com/news/sandy-chamoun-interview-lgw25