In June 2011, my musician and writer friend Joseph Ghosn spent a few days in Beirut. We met on a couple of occasions, spoke about the abandoned grand piano in his neighbor’s house in the Lebanese mountains, and the CD compilation I was planning to release later in August, which included a track of his recorded for Ruptures. He also gave me this tape. “You’re the one to get it,” he said. Joe has a fetish for tapes, and he knows I do too. “What is it,” I exclaimed, trying to refrain my enthusiasm. “Oh, just a little thing Charbel and I recorded in one week, a few years back. Listen to it.”
I have listened to it many times since then. Between Birthdays consists of one elongated drone, a musical dialogue between Ghosn and guitar player-extraordinaire Charbel Haber, incorporating fuzzy swathes of guitar and discreet layers of glitchy synthesizers. It’s difficult to tell who’s doing what. The piece meanders wonderfully, veers from instrumental post-rock to ambient electronica, recalls Oneohtrix Point Never on some occasions, opts for pure noise on other occasions… A shadowy voice speaks a few detached words, a synth line recalls Joseph Ghosn’s soundtrack for the film “Beyrouth”… And the drone fades into oblivion once, twice, before picking up again. The stuff that dreams are made of (for).