[By Ziad Nawfal]
In June 2011, my musician and writer friend Joseph Ghosn spent a few days in Beirut. We met on a couple of occasions, spoke about the abandoned grand piano in his neighbor’s house in the Lebanese mountains, and the CD compilation I was planning to release later in August, which included a track of his recorded for Ruptures. He also gave me this tape. “You’re the one to get it,” he said. Joe has a fetish for tapes, and he knows I do too. “What is it,” I exclaimed, trying to refrain my enthusiasm. “Oh, just a little thing Charbel and I recorded in one week, a few years back. Listen to it.”
I have listened to it many times since then. Between Birthdays consists of one elongated drone, a musical dialogue between Ghosn and guitar player-extraordinaire Charbel Haber, incorporating fuzzy swathes of guitar and discreet layers of glitchy synthesizers. It’s difficult to tell who’s doing what. The piece meanders wonderfully, veers from instrumental post-rock to ambient electronica, recalls Oneohtrix Point Never on some occasions, opts for pure noise on other occasions… A shadowy voice speaks a few detached words, a synth line recalls Joseph Ghosn’s soundtrack for the film “Beyrouth”… And the drone fades into oblivion once, twice, before picking up again. The stuff that dreams are made of (for).
Ruptured Music 