Tunefork Studios – Page 6

The Ruptured Sessions Volume 1

[By Karma Tohmé]

“The Ruptured Sessions” is a series of live recordings that take place in the studios of Radio Lebanon 96.2FM, during Ziad Nawfal’s weekly Ruptures program. These recordings focus on musicians from Lebanon’s alternative music scenes (alternative folk & rock, electronica, improvisation, etc.), as well as visiting foreign musicians.

Ziad Nawfal’s eclectic music tastes and his deep knowledge of a wide array of musical genres have made him one of the best DJ’s in town for over 2 decades now, and his name has been tied to the most mythical underground places of post-war Beirut. His radio programs on Beirut’s governmental radio station, Radio Liban, are also a reference for a whole generation of young alternative music lovers. These shows, as well as numerous other professional activities related to music — from working in Beirut’s sole alternative record store, La CD-Theque, to writing reviews for all new releases of Beirut Incognito’s collection, as well as for local and foreign magazines, have led to his extensive involvement with the local music scene. He often acts as a manager, producer, or event organizer for alternative rock, experimental and electronic music artists and bands from the Lebanese scene.

Following in the footsteps of one of his mentors, the BBC’s famed radio host John Peel, Ziad Nawfal presents ‘The Ruptured Sessions, volume 1’: the first CD to be recorded live in the studios of Radio Lebanon, during his ‘Ruptures’ show. The sessions were recorded in the studios of Radio Lebanon over a period of eight months, between June 2008 and February 2009. There was initially no actual intent for the sessions to be released onto CD format, which explains the lo-fi quality of some of the final tracks. Artists came to the studio to present some of their favorite musical selections, with an emphasis on their own artistic output, and were eventually invited to grab their guitar and perform a number of songs, live on the spot.

The best tracks from these impromptu sessions were then carefully selected, mixed and mastered by Tunefork Studio’s (one of Beirut’s most prestigious recording studios, for alternative-minded musicians) master-of-ceremony Fadi Tabbal, in collaboration with Ziad Nawfal. The resulting CD features exclusive music by Nadine Khouri, Charbel Haber (the lead singer from punk-rock band Scrambled Eggs, caught in rare acoustic flight), Youmna Saba, Cristobal (aka Christophe Katrib), and The Incompetents.

[From left to right, clockwise: Haber, Elieh, Rizkallah; Tabbal; Sehnaoui; Ko; Kerbaj; Haber; Elieh; Rizkallah]

[Text and photos by Ziad Nawfal]

Charbel Haber, singer, guitarist and composer with Lebanese rock band Scrambled Eggs, told me a few days ago that he had been planning for these sessions for three years, and the end result was ‘a dream come true’, for him. I find absolutely no reason to disagree with the latter statement. I was indeed privy to some highly intense and magical musical, during these sessions.
The actors and circumstances: on November 8, the three remaining Scrambled Eggs (second guitarist Marc Codsi left the band after the summer of 2008, in order to concentrate on his dancefloor project Lumi) enter Tunefork Recording Studio with the firm intent of recording several hours’ worth of new music, accompanied by a host of likely-minded musical cohorts, under the cool guidance of sound engineer Fadi Tabbal. With barely any time devoted to rehearsing, and a focus on loose improvisation instead, the sessions are scheduled for four consecutive days, and intended for release early in 2009.

The first of the sessions integrated the found sounds and electronics of Lebanese-born, French-based musician Joseph Ghosn, who doubles as the reviews editor for French musical magazine Les Inrockuptibles. Joining him and the Scrambled Eggs in the studio that day was Abdallah Ko (who plays guitar and laptop with the XEFM collective). Unfortunately, being tied down by previous engagements, I could not make it to this first session, which apparently yielded some impressive results, especially from the rhythm section of Tony Elieh and Malek Rizkallah.

For the second of these sessions, free improvisers Mazen Kerbaj and Sharif Sehnaoui (on prepared trumpet and acoustic guitar, respectively) were invited to join Haber & co. Kerbaj and Sehnaoui are the founding members of Irtijal, a surprising, Lebanese-based Festival of free improvised music which takes place in Beirut every year, and invites both local and foreign musicians to showcase their skills over several days and venues. Unfettered by the change of scenery and musical idiom that these Scrambled sessions represented, Sehnaoui and Kerbaj espoused their friends’ ‘rock’ ideals quite easily. The result was a furious maelstrom of sound, as the Eggs built an impressive, distortion-heavy wall of sound against the repeated, concentrated strumming of Sehnaoui, and the free-form eruptions of Kerbaj. In addition to his effects-laden trumpet, the latter also relied on a miked balloon to fence the repeated attacks of Haber’s pedal-relayed guitar, Elieh’s effects-laced bass, and Rizkallah’s discreet drumming. I gazed and listened in amazement as the music built and rose towards ever more violent crescendos, displaying little tolerance for compromise or reflection. These were 5 musicians at their very best, opposing and finding common ground for distant musical equations.

The November 9 session added French saxophone player Stéphane Rives to the above. Rives hails from the same improv background as Kerbaj and Sehnaoui, who found in the process an impromptu ally. The balance tilted in their favor this time, as the slow, meandering tracks tended towards reflective and calmer passages. Rives also displayed a somewhat different sensibility from that of his Lebanese fellows, edging the musical proceedings in favor of melody-oriented streams of sound, at least in the initial half. The final gasps of this session saw the musicians revert to more disrupted and disjointed playing, with a final, maddening rush of freeform blowing, stroking and banging. Little wonder that the studio’s recording computer eventually succumbed and went into crash mode!…

For the final installment of the sessions, the musicians invited by Scrambled Eggs were Fadi Tabbal on guitar (the owner and chief engineer of Tunefork Studios, and founder of psych-rock group The Incompetents) and Abdallah Ko. I found this session quite stimulating, especially due to the contribution of these two musicians. Sitting on opposite sides of the room, Tabbal on a tiny, constricting chair and Ko on the rug-covered floor, they provided some fine guitar lines and treatments to the ever-escalating wall of sound induced by Haber, Elieh and co. The ubiquitous Sehnaoui blended wonderfully amidst this compact, densely generated upsurge.

The material recorded during these sessions exceeds by far the length of an ‘official’ release, of course. The most appealing and accessible moments will be selected in order to constitute the CD release; and as such, I felt supremely fortunate and privileged to be a witness to these fine moments of improvisation.