Wednesday, October 12th, 2016 – 8.30 pm
at Onomatopoeia The Music Hub, Beirut
With
Munma: synths /electronics
Fadi Tabbal: electric guitar /electronics
Maya Chami: live visuals
ABOUT MUNMA
Jawad Nawfal is a pioneer of Lebanon’s electronic/dance scene. Starting out as a DJ and event promoter in the late 90’s, he eventually moved on to production and composition in the early 2000’s, forming live electronic duos Ae_Quo and AEX with Lebanese musician Victor Bresse. Nawfal created MUNMA in the aftermath of Israel’s war on Lebanon in the summer of 2006 — this solo project explores oriental harmonies and rhythmical patterns, with a strong reliance on sampled traditional musical beds and excerpts from politicians’ speeches and radio broadcasts. In 2012, Jawad started working with Lebanese writer and slam poet Mazen el-Sayed aka El Rass, and the two musicians released two well receivedalbums which explore the darker sides of rap, reconfiguring the genre to include elements of bass and electronica. In the following years, Nawfal collaborated with Belgian electronic producer Cedrik Fermont, and released 4 albums on his label Syrphe Records with different contributors.
ABOUT FADI TABBAL
Fadi Tabbal is a musician, producer and sound engineer, known for his numerous contributions to Beirut’s alternative music scene by way of the specialized studio he opened in 2006, Tunefork.
Tabbal’s work as an engineer at Tunefork has secured its reputation as one of the most prominent studios in Beirut; the majority of the city’s alternative acts have passed through its doors. Fadi is a member of several Lebanese bands, including rock groups The Incompetents and Bunny Tylers, as well as experimental trio Under the Carpet. He collaborates frequently with singer/songwriter Youmna Saba, folk bands Safar and Ramly, and is a guest player on albums by experimental duo Praed and folk singer Sandmoon, among others. As a solo artist, he has released three albums entitled “On the Rooftop Looking Up” (Self-released 2013), “Museum of Disappearing Buildings” (Self-released 2015) and “How’s Annie” (Ruptured, 2016).
ABOUT MAYA CHAMI
Maya Chami is a practitioner in graphic design and digital arts. She received a Bachelor of Science in graphic design from the Lebanese American University. In 2006, she was selected to participate in the UNESCO online masters module on art, design and technology.
In 2011 she completed a Masters degree in digital arts at Camberwell College of Arts, University of the Arts London. She works in graphic design and digital arts on both commissioned and personal projects, and has participated in several design and digital arts events.
Ruptured Music 