Mayssa Jallad will perform a series of April dates across Scandinavia and the Netherlands, accompanied by Julia Sabra (Snakeskin, Postcards) and Pascal Semerdjian (Postcards, SANAM).
These concerts include solo presentations of Marjaa: The Battle of the Hotels, as well as two appearances at Rewire — including a special collaboration set with Swedish producer Civilistjävel!, expanding on their work together on Marjaa: The Battle of the Hotels – Versions.
As the year winds down, we asked every artist whose music Ruptured released in 2025 to share the records that stayed closest to them over the past months.
As the year winds down, we asked every artist whose music Ruptured released in 2025 to share the records that stayed closest to them over the past months.
Mayssa Jallad will appear at Rewire Festival (The Hague) in April 2026 for two separate performances.
On 10 April, she presents Marjaa: The Battle of the Hotels as a trio with Julia Sabra and Pascal Semerdjian, performing the work in its full live arrangement.
On 12 April, she returns for a second appearance with Swedish producer Civilistjävel!, following his contribution to Marjaa: The Battle of the Hotels – Versions. This set extends the dialogue they began on the remix album, opening another window into the project’s sonic world.
A monthly selection of alternative, ambient and experimental music from Lebanon and the MENA region, selected by music promoter and label owner Ziad Nawfal – this broadcast features a guest mix by Lebanese dreampop duo SNAKESKIN (Julia Sabra & Fadi Tabbal). Originally commissioned by Stegi Radio and produced by Onassis Stegi.
Snakeskin is a Beirut-based duo making electronic dreampop that incorporates ambient, industrial, and experimental elements. The project brings together producer and musician Fadi Tabbal and singer songwriter Julia Sabra, also a member of indie trio Postcards.
The duo’s third album We live in sand will be released on October 10, 2025 as a co-release between Ruptured and Beacon Sound. Written as the war in Gaza spread to Lebanon, it is their starkest and most immediate work to date, combining industrial beats, ambient dirges, and Julia’s distinctive vocals.
TRACK LISTING:
1- Snakeskin: Ready
2- Nadah El Shazly: Kaabi Ali
3- Lucrecia Dalt: Caes (feat. Camille Mandoki)
4- SANAM: Goblin
5- Snakeskin: October sun
6- Kelly Moran: Don’t Trust Mirrors
7- Sary Moussa: Everywhere at Once
8- Jerusalem In My Heart: Ana Lisan Wahad (feat. Farida Amadou & Pierre-Guy Blanchard)
9- Dina El Wedidi: The Moon
10- Gizzmo: A Change in the Seasons
11- Snakeskin: Blindsided
12- Mabe Fratti: Kravitz
13- Postcards: Poison
14- Blood Orange: Look at You
15- Snakeskin: Black water
“With dark minimalism orchestrated from the bottom of the vortex, if We live in sand doesn’t reduce you to tears, then you’re probably hollow inside. The best art often comes from the darkest places; the same ones many of us will never encounter.” – Simon Kirk, Sun-13https://sun-13.com/2025/10/10/snakeskin-we-live-in-sand/
“There’s a chilling disconnect at the heart of Lebanese duo Snakeskin’s third album, We live in sand: On the surface, their music invokes a lineage of wistfully melodic electronic pop. But once you dig into the album’s lyrics, a far bleaker scenario presents itself. Beneath the sweetness of the music, Sabra lays bare the tragedy playing out across the border—and on our screens, in our feeds, in our thoughts and consciences.” – Phil Sherburne via substack https://futurismrestated.substack.com/p/fr-140-spheres-nexuses-horizons
“There’s an uncompromising authenticity to the album, presenting each track as a visceral interpretation of mourning. Amidst the starkness, hope could easily seem lost. Yet the album’s most powerful moments emerge in subtle but striking sparks of defiance and resilience; and that, in itself, is a form of hope.” – SceneNoisehttps://scenenoise.com/New-Music/Snakeskin-s-We-Live-in-Sand-Captures-Hope-Amidst-Destruction
“There’s an atmosphere of grief, anger and frustration throughout, but as with so much of the music Sabra and Tabbal make — together or separately — there is hope here too.” – Arab Newshttps://www.arabnews.com/node/2619195/lifestyle
“Over a decade of collaboration, producer Fadi Tabbal and singer-songwriter Julia Sabra have sculpted a sound that is both melancholic and radiant: a haunting palette of reflection, collapse and resistance that keeps developing in their new album We live in sand.” – Le Guess Who?https://leguesswho.com/news/snakeskin-new-album
We live in sand is the 3rd album from SNAKESKIN, the Beirut-based duo of Julia Sabra and Fadi Tabbal.
Written in October 2024, just as Israel’s genocidal assault on Gaza fully spread to Lebanon and finally reached Beirut, the album is their darkest and rawest yet, exploring what it feels like to wait, to love, to grieve, and to keep living while the world falls apart. Pairing Tabbal’s masterful production with Sabra’s vivid imagery and evocative singing, the duo, as Resident Advisor put it, mines “deep emotional depths by tempering dream pop’s sweet-natured reverie with experimental snarl.” Bearing witness to impossible events, We live in sand is a complex and nuanced work, balancing forward-thinking pop sensibilities with relentless realism and a poetic spirit of empathy.
Composed, performed and produced by Julia Sabra and Fadi Tabbal between Beirut and Bern. Lyrics by Julia Sabra. Drum samples by Pascal Semerdjian.
Mixed by Radwan Ghazi Moumneh at Hotel2Tango, Montreal. Mastered by Harris Newman at Grey Market Mastering, Montreal.
Album art, band portrait, and “October sun” video by Mohamad Abdouni. Design by Josette Khalil.
This album is the third volume in the Corrosion Series, a collaborative effort by Beacon Sound in Portland and Ruptured in Beirut.
Ruptured Music 