Acclaim for Youmna Saba’s album Wishah, released by Touch UK In October 2023 (CD/digital) and by Ruptured in December 2023 (vinyl/digital).

“Structured into five discernible stages, Wishah guides us through a gradual process of revelation, deconstructing memories and barriers that have built up through the ages. Saba carefully peels back those layers, finding an empty shell at the center, the place where home once existed. Each word stings. Caustic, atmospheric drones hollow out the last remnants, leaving our thoughts trailing into the endless night. A stunning album.” – Brad Rose, Foxy Digitalis
https://foxydigitalis.zone/2023/12/13/the-capsule-garden-vol-2-42-december-13-2023/

“Nestled in the interval between the urgency of speaking, and that of remaining silent or speaking out of turn, Youmna Saba engages in a relentless yet passionate and loving heart-to-heart with her instrument.” – Nasri N. Sayegh, L’Orient-le-Jour
https://www.lorientlejour.com/article/1350564/youmna-saba-electronise-son-oud.html

“The five-song composition feels like going in circles on the edge of an epiphany; a spiral in synthesized oud.” – Layla Raik, SceneNoise
https://scenenoise.com/New-Music/Youmna-Saba-s-Wishah-is-an-Obscure-Tapestry-of-Oud-Soundscapes

Also included in Scene Noise’s Best Albums of 2023 (Middle East & North Africa):
https://scenenoise.com/Reviews/Best-Albums-Of-2023-Middle-East-North-Africa

“Lebanese musician, composer and musicologist Youmna Saba positions her voice at the center of her latest solo album (…) Very strong material indeed.” – Boomkat
https://boomkat.com/products/wishah

“A remarkable new work from Beirut’s Youmna Saba, now based in Paris. Saba is an accomplished oud player (…) On Wishah وِشاح her oud’s sound is technologically extended, to amplify every string squeak and body tap, and further integrated with sympathetic electronics. The works range from abstract processed sound to delicate oud fingerpicking, and most tracks patiently reach a place where Saba brings in her emotive vocals. It’s an immersive, moving listening experience.” – Peter Hollo, Utility Fog (FBi Radio)
https://www.frogworth.com/utilityfog/archives/2023/10/08/playlist-08-10-23/

“Saba s’attaque au logiciel historique du oud en tant qu’instrument : (elle) utilise ce qui est souvent perçu comme une série de défauts pour le transformer en instrument électro-acoustique, en jouant notamment sur des dispositifs de larsen maîtrisé, comme lorsqu’elle a placé le oud face à 6 voix et travaillé sur leurs résonances dans l’instrument. À le faire sonner ainsi, elle s’affranchit de la vision essentialiste s’étant largement diffusée ces cinquante dernières années en Europe ; un oud justement dénué de bruits, suspendu dans une logique de pureté proche de la musique baroque, où chaque note résonne et doit rencontrer le silence du public.” – Musique Journal
https://musique-journal.fr/2023/10/19/youmna-saba-a-plus-dune-corde-a-son-oud/