Ziad Nawfal Mix for Stegi Radio with guest FATEN KANAAN // 02 December 2025

A monthly selection of alternative, ambient and experimental music from Lebanon and the MENA region, selected by music promoter and label owner Ziad Nawfal โ€“ this broadcast features a guest mix by musician and composer FATEN KANAAN. Originally commissioned by Stegi Radio and produced by Onassis Stegi.

Faten Kanaan is a composer whose work uses counterpoint as a narrative tool to craft music that is mysterious, smudgy, and deeply melodic. Of Syrian, Palestinian, Jordanian, and Lebanese heritage, Kanaan was born in Germany, grew up between Europe and the Middle East, and is now based in Amman, Jordan. Recent concerts have included appearances supporting Alessandro Cortini, Colin Stetson, Blonde Redhead, and William Basinski.

TRACK LISTING:

1. Broadcast – Monica (Berberian Sound Studio)*
2. Zbigniew Preisner – Alexandre (La double vie de Vรฉronique)*
3. Farah Kaddour & Marwan Tohme – Ghazel
4. Kitka – D-oi rgฤƒoa (Romanian)
5. Ellie Wilson – Sanctuary
6. Carter Burwell – Theme from Blood Simple*
7. Os Mutantes – Le premier bonheur du jour
8. Wadi el Safi – Daq bab el beit (excerpt)
9. Hikaru Hayashi – Theme de lโ€™eau (Lโ€™ile nue)*
10. Marcel Khalife – My Song (excerpt)
11. Martien Keesmaat – Erik Satie – Danses de travers
12. Faten Kanaan – Book of Changes
13. Park Hye Ri – Strange Sun (Boys Over Flowers – excerpt)*
14. Fadi Tabbal – And Thenโ€ฆ
15. Basiani Ensemble – Shen Khar Venakhi (Svetitskhoveli Tradition)
16. Michel Polnareff – Sous quelle รฉtoile suis-je nรฉ? (excerpt)
17. Ahmad Malek – Omar Gatlato*
18. Snakeskin – Olive groves
19. Nishimura Naoaki – Nocturne #1
20. In-Resonance Collective – Fayha Choir//Zahrat al Madain (excerpt)
21. Pascal Danel – Kilimandjaro (excerpt)
22. Ksiฤ™ลผyc – Klepana
23. SANAM – Goblin
24. Imed Alibi & Khalil EPI – Hattaya

* = film or tv soundtrack/score



(2025 end-of-year lists) – SNAKESKIN

As the year winds down, we asked every artist whose music Ruptured released in 2025 to share the records that stayed closest to them over the past months.

SNAKESKIN (Julia Sabra & Fadi Tabbal)

Kara-Lis Coverdale – A Series of Actions in a Sphere of Forever / From Where You Came / Changes in Air
Brian Eno & Beatie Wolfe – Lateral
Jefre-Cantu Ledesma – Gift Songs
Blood Orange – Essex Honey
caroline – caroline 2
Claire M Singer – Gleann Ciuin
William Tyler – Time Indefinite
Lucrecia Dalt – A Danger to Ourselves
Ichiko Aoba – Luminescent Creatures
Oklou – choke enough


(2025 end-of-year lists) – FADI TABBAL

As the year winds down, we asked every artist whose music Ruptured released in 2025 to share the records that stayed closest to them over the past months.

Published here over the coming days, these end-of-season charts gather the albums that accompanied writing, touring, waiting, and living through it all.ย 

FADI TABBAL

Geese – Getting Killed
Maria Somerville โ€“ Luster
Cameron Winter – Heavy Metal
kelly moran – Don’t Trust Mirrors
Claire M Singer – Gleann Ciuin
William Tyler – Time Indefinite
Joanne Robertson – Blurrr
Lucrecia Dalt – A Danger To Ourselves
Kara-Lis Coverdale – From Where You Came
aya – hexed!
Oklou – choke enough

ย 


Ziad Nawfal Mix for Stegi Radio with guests SNAKESKIN // 07 October 2025

A monthly selection of alternative, ambient and experimental music from Lebanon and the MENA region, selected by music promoter and label owner Ziad Nawfal โ€“ this broadcast features a guest mix by Lebanese dreampop duo SNAKESKIN (Julia Sabra & Fadi Tabbal). Originally commissioned by Stegi Radio and produced by Onassis Stegi.

Snakeskin is a Beirut-based duo making electronic dreampop that incorporates ambient, industrial, and experimental elements. The project brings together producer and musician Fadi Tabbal and singer songwriter Julia Sabra, also a member of indie trio Postcards.
The duoโ€™s third album We live in sand will be released on October 10, 2025 as a co-release between Ruptured and Beacon Sound. Written as the war in Gaza spread to Lebanon, it is their starkest and most immediate work to date, combining industrial beats, ambient dirges, and Juliaโ€™s distinctive vocals.

TRACK LISTING:

1- Snakeskin: Ready
2- Nadah El Shazly: Kaabi Ali
3- Lucrecia Dalt: Caes (feat. Camille Mandoki)
4- SANAM: Goblin
5- Snakeskin: October sun
6- Kelly Moran: Donโ€™t Trust Mirrors
7- Sary Moussa: Everywhere at Once
8- Jerusalem In My Heart: Ana Lisan Wahad (feat. Farida Amadou & Pierre-Guy Blanchard)
9- Dina El Wedidi: The Moon
10- Gizzmo: A Change in the Seasons
11- Snakeskin: Blindsided
12- Mabe Fratti: Kravitz
13- Postcards: Poison
14- Blood Orange: Look at You
15- Snakeskin: Black water



Video still by Mohamad Abdouni

Press Review // Snakeskin // We live in sand

Acclaim for We live in sand, the latest album by Lebanese dreampop duo Snakeskin, released by Ruptured & Beacon Sound in October 2025:

“Snakeskin donโ€™t so much shed layers from release to release, they harden their resolve, reinforcing their messaging into songs which are even more powerful and defining… [They] have created an extraordinary sound document which is so poignant in these troubled times and which will remain enlightening for much longer.” โ€“ John Parry, Backseat Mafia https://www.backseatmafia.com/album-review-snakeskin-we-live-in-sand-enlightening-intense-dream-pop-from-the-ever-impressive-beirut-duo/

“With dark minimalism orchestrated from the bottom of the vortex, if We live in sand doesnโ€™t reduce you to tears, then youโ€™re probably hollow inside. The best art often comes from the darkest places; the same ones many of us will never encounter.” โ€“ Simon Kirk, Sun-13 https://sun-13.com/2025/10/10/snakeskin-we-live-in-sand/

“Thereโ€™s a chilling disconnect at the heart of Lebanese duo Snakeskinโ€™s third album, We live in sand: On the surface, their music invokes a lineage of wistfully melodic electronic pop. But once you dig into the albumโ€™s lyrics, a far bleaker scenario presents itself. Beneath the sweetness of the music, Sabra lays bare the tragedy playing out across the borderโ€”and on our screens, in our feeds, in our thoughts and consciences.” โ€“ Phil Sherburne via substack https://futurismrestated.substack.com/p/fr-140-spheres-nexuses-horizons

We live in sand is an emotionally weighty album, though itโ€™s also one in which the Lebanese duo manage to find beauty in the darkness.” โ€“ Shawn Reynaldo via substack https://firstfloor.substack.com/p/first-floor-285-money-matters

“Thereโ€™s an uncompromising authenticity to the album, presenting each track as a visceral interpretation of mourning. Amidst the starkness, hope could easily seem lost. Yet the albumโ€™s most powerful moments emerge in subtle but striking sparks of defiance and resilience; and that, in itself, is a form of hope.” โ€“ SceneNoise https://scenenoise.com/New-Music/Snakeskin-s-We-Live-in-Sand-Captures-Hope-Amidst-Destruction

“Thereโ€™s an atmosphere of grief, anger and frustration throughout, but as with so much of the music Sabra and Tabbal make โ€” together or separately โ€” there is hope here too.” โ€“ Arab News https://www.arabnews.com/node/2619195/lifestyle

“Over a decade of collaboration, producer Fadi Tabbal and singer-songwriter Julia Sabra have sculpted a sound that is both melancholic and radiant: a haunting palette of reflection, collapse and resistance that keeps developing in their new album We live in sand.” โ€“ Le Guess Who? https://leguesswho.com/news/snakeskin-new-album

“The provisional nature of life in a country touched by war has infused all of Snakeskinโ€™s music with an urgent beauty, made of dream-state laments, elegiac organ drones and the glitch and glitter of electronic pop beats.” โ€“ Dusted Magazine https://dustedmagazine.tumblr.com/post/796850309807882240/snakeskin-we-live-in-sand-rupturedbeacon

Featured in Will Hermes New Music + Old Music substack: https://newmusicoldmusic.substack.com/p/singing-the-unspoken

Utility Fog broadcast on FBi Radio by Peter Hollo: https://www.fbi.radio/programs/utility-fog/episodes/utility-fog-28th-september-2025


Listen/Order


Photo by Mohamad Abdouni

Ruptured presents โ€œThe Noise We Carryโ€ for Radio Elsewheres

October 2025

Ruptured co-founders Ziad Nawfal and Fadi Tabbal have crafted โ€œThe Noise We Carry,โ€ a sprawling 50mn audio mixtape for Radio Elsewheres and the Elsewhere on Record exhibition at Art Windsor Essex.

The piece moves through Beirut itself: its traffic, collapsing infrastructure, seaside stillness, and the din of everyday life. Drones and layered textures meet archival radio fragments and selections from Lebanonโ€™s underground postโ€“civil war scene (including Scrambled Eggs and Munma), creating a patchwork of music, memory, and city noise. Interwoven are intimate voices and recordings from the 2019โ€“2021 protests, tracing themes of displacement, forced departure, and creative survival.

Released on cassette, the recording loops continuously; with each pass, the magnetic tape degrades, turning medium into message and memory into material. Nothing lasts unchanged. Nothing returns exactly. And yet, the transmission persists.

Ruptured has long nurtured Lebanonโ€™s experimental music, hosting concerts, producing albums, and preserving cultural memory amid collapse. โ€œThe Noise We Carryโ€ carries that mission further: a transmission from Beirut, from the noise of daily survival, sent out to anyone listening.


LISTEN TO AN EXCERPT


The mixtape will be broadcast during the exhibition at Art Windsor Essex and on Radio Elsewheresโ€™ website. Check broadcast times here.

Discover the exhibition here and explore Radio Elsewheres, the experimental sound platform founded by Velibor Boลพoviฤ‡, Steve Bates, and Claudia Zini, here.


Velibor Boลพovic, 2008

Ruptured News // Snakeskin European tour // Nov. 2025

Nov 04 Berlin, Germany โ€“ Morphine Raum
Nov 06 Zutphen, The Netherlands โ€“ Modka Beiroet
Nov 08 Utrecht, The Netherlands โ€“ Le Guess Who?
Nov 09 Ghent, Belgium โ€“ Groot Begijnhof Church
Nov 12 Paris, France โ€“ Les Relais Solidaires
Nov 13 Oslo, Norway โ€“ Kafe Haerverk
Nov 14 Amsterdam, The Netherlands โ€“ Murmur



WE LIVE IN SAND: Listen/Order


Ziad Nawfal Mix for Stegi Radio with guest SARY MOUSSA // 02 September 2025

A monthly selection of alternative, ambient and experimental music from Lebanon and the MENA region, selected by music promoter and label owner Ziad Nawfal โ€“ this broadcast features a guest mix by Lebanese musician SARY MOUSSA. Originally commissioned by Stegi Radio and produced by Onassis Stegi.

Sary Moussa is a Lebanese electronic musician, sound designer, producer, and engineer, deeply rooted in Beirutโ€™s experimental and underground music scenes. Emerging in the late 2000s under the moniker radiokvm, he released his debut full-length album, Issrar, in 2014 on the Ruptured label. Performing under his own name, Moussa followed up with Imbalance in 2020 on Nicolas Jaarโ€™s Other People imprint: an album shaped by childhood memories and regional soundscapes, blending Greek-Catholic chants, ambient noise, and the sonic imprint of southern Lebanon.

Moussa’s work is characterized by a fusion of drone-driven compositions and dance floor-ready electronica, emphasizing generative sound design and intricate sonic textures. His latest album Wind, Again was released by Other People in summer 2025. Beyond his solo projects, Moussa is an active collaborator across various artistic disciplines. He has composed music for theater, dance, film, and art installations.

TRACK LISTING:

  1. Sary Moussa – Everywhere at once
  2. Two or the Dragon – Dance Grooves for the Weary pt. 1
  3. Cinna Peyghami – Sympathetic Fillings
  4. Jerusalem in my heart – Wa Taโ€™atalat Loughat Al Kalam pt.1
  5. Aho Ssan and Nicolas Jaar – Le Tremblement
  6. Amina Hocine – ฤ€tamลn I
  7. Maurice Louca – Yaraโ€™ (Fire Flies)
  8. Biliana Voutchkova and Phill Niblock – Biliana
  9. Mana – Archipelaghi pt.2
  10. Hania Rani – Dreamy
  11. Charbel Haber, Nicolas Jaar and Sary Moussa – Crashing waves dance to the rhythm set by the broadcast journalist revealing the tragedies of the day pt.4
  12. Asil Ensemble – Free group improvisation
  13. Sary Moussa – White Dust
  14. Fadi Tabbal – (Keep Beating)
  15. Charbel Haber and Sary Moussa – Pity City (unreleased)


Ruptured Album Release // SNAKESKIN // We live in sand


Out 10 October 2025 via Ruptured and Beacon Sound

We live in sand is the 3rd album from SNAKESKIN, the Beirut-based duo of Julia Sabra and Fadi Tabbal.

Written in October 2024, just as Israelโ€™s genocidal assault on Gaza fully spread to Lebanon and finally reached Beirut, the album is their darkest and rawest yet, exploring what it feels like to wait, to love, to grieve, and to keep living while the world falls apart. Pairing Tabbalโ€™s masterful production with Sabraโ€™s vivid imagery and evocative singing, the duo, as Resident Advisor put it, mines โ€œdeep emotional depths by tempering dream popโ€™s sweet-natured reverie with experimental snarl.โ€ Bearing witness to impossible events, We live in sand is a complex and nuanced work, balancing forward-thinking pop sensibilities with relentless realism and a poetic spirit of empathy.

Composed, performed and produced by Julia Sabra and Fadi Tabbal between Beirut and Bern. Lyrics by Julia Sabra. Drum samples by Pascal Semerdjian.

Mixed by Radwan Ghazi Moumneh at Hotel2Tango, Montreal. Mastered by Harris Newman at Grey Market Mastering, Montreal.

Album art, band portrait, and โ€œOctober sunโ€ video by Mohamad Abdouni. Design by Josette Khalil.

This album is the third volume in the Corrosion Series, a collaborative effort by Beacon Sound in Portland and Ruptured in Beirut.

Thank you for listening and supporting.



LISTEN / ORDER


Photo by Mohamad Abdouni

Ruptured Album Release // VARIOUS ARTISTS // The Dome Sessions


The Dome Sessions emerged from the architectural and acoustic qualities of the dome designed by Oscar Niemeyer in 1962 in Tripoli, Lebanon. Since 2010, Firas El Hallak has used this space as a site for sonic experiments, exploring the relationships between sound, space, and memory. The domeโ€™s distinctive reverb and resonance have shaped a series of recordings that capture the characteristics of the structure while evoking the untold storiesย held within its walls.

What began as an individual pursuit evolved into a collective project. Artists and collaborators joined forces, contributing to a body of work that reflects the layered history and collective memory of the dome. Each piece resonates with the spaceโ€™s acoustics, dissolving the boundaries between past and present, personal and communal.

These recordings extend beyond a musical album; they form part of the soundtrack for an upcoming film that examines the domeโ€™s place in Tripoliโ€™s cultural and historical fabric. The Dome Sessions therefore becomes an exploration of place, identity, and collective history through multiple senses.

At its core, the project highlights the power of collective action. It demonstrates how reclaiming spaces can breathe new life into the forgotten. By transforming the dome into a site of collaboration, the collective emphasizes the role of art in preserving and reinterpreting heritage. The Dome Sessions invites listeners to a shared experience ofย space through sound.

Wassila Abboud, December 2024


THE DOME SESSIONS: Listen/Order here


All tracks recorded on-site by Tunefork Studios in April 2023.
All tracks mixed at Tunefork Studios by Anthony Sahyoun & Fadi Tabbal, except for Session 8 (mixed by Hadi Deaibess).

Music composed and performed by the artists, except for:
Session 1 (Once I Entered a Garden) originally composed by Medhat Assem for Asmahan.
Session 10 (Zahrat al-Madaโ€™en) originally composed by the Rahbani Brothers for Fairuz.

Created and produced by Firas El Hallak. Co-produced by Anthony Tawil.

Audio captured by Neumann and supported by Eltek. Mastered by Cedrik Fermont at Syrphe, Berlin.

Album photography by Gabriel Ferneini. Artwork & design by Cynthia-รซl Hasbani.


ย Watch the promotional trailer by Firas El Hallak