PRAED, aka Swiss musician Paed Conca and Lebanese musician Raed Yassin, were the guests of Ruptures for an interview + live performance, three days prior to the launch of PRAED’s second studio album, “Made In Japan”. For the occasion, the two men played excerpts from all their releases, and held a live performance in the studios of Radio Lebanon. Original and inventive music-making, at its best.
Richard Eigner is an Austrian composer, drummer, sound-artist and producer. He spent an eventful week in Beirut, during which he presented his ‘Denoising’ project at Beirut Art Center, in the company of our very own Osman Arabi and Charbel Haber, featured on electric guitar(s). He was also part of the live line-up for the Acousmatik event of May 28, entitled Chaos Reigns With Matta UK. Eigner was the guest of Ruptures for an impromptu interview and live performance, during which he ‘Denoised’ the studio’s old and battered grand piano, and presented excerpts from his extensive discography.
On the occasion of the opening of international art exhibition Meeting Points 6, Lebanese electro-acoustic musician Tarek Atoui presented his new sound piece, ‘Infinite Times Zero’, at Beirut Art Center on April 27. He was the guest of Ruptures on the following Monday, to talk about this piece, as well as future plans and projects.
Lebanese musicians Radwan Ghazi Moumneh (Jerusalem In My Heart) & Charbel Haber (Scrambled Eggs) were the guests of Ruptures on Monday 4 April, to present the 11th edition of Irtijal Festival of Experimental Music, which took place in Beirut in various locations between April 5-8.
Young Lebanese electronic musician Jad Atoui was quite busy in the months leading to this radio interview: he held his first live performance in Beirut, alongside Munma, at Art Lounge in September 2010, followed by a second gig during The Basement’s farewell concerts in January 2011, and culminating in an event at Hamra’s Jazz Club later that same month, organized by Acousmatik System; there, the 17-year old played alongside such luminaries as Belgium’s Kirdec and Singapore’s One Man Nation. Jad Atoui, the brother of electro-acoustic musician Tarek Atoui, was the guest of Ruptures to talk about his burgeoning career in electronic music, and to present his own live compositions.
Lebanese musician Ziad Moukarzel, aka Mocques, was the guest of Ruptures for an interview + live electronic performance. Mocques’ ‘Ruptured’ showcase took place a couple of weeks following his first solo concert in Beirut, during which he played alongside Kirdec (Belgium) and One Man Nation (Singapore), as well as local musicians Munma and Jad Atoui.
Singapore-born experimental musician Marc CHIA, aka ONE MAN NATION, spent a couple of weeks in Beirut in January 2011, during which he played two vastly different gigs in the city: a free-jazz concert with Lebanese-based quartet AnArchy TV, at Monnot Theater, followed a few days later by an impressive solo electronic performance at the ill-named Jazz Club in Hamra. Marc was the guest of RUPTURES on Monday 17, for an interview and live performance. Most of the tracks he played came from video performances saved on his laptop, which explains the somewhat foggy sound quality. As for his incredible live performance, it takes place towards the end of the show, around the 50th minute!
Belgian xxperimental musician & producer CEDRIK FERMONT aka KIRDEC was the first guest of RUPTURES in 2011, for a live performance and extensive interview, detailing the processes of his approach in various fields of electronic music.
Singer/songwriter Sandra Arslanian, aka SANDMOON, was the guest of Ruptures to present her first album RAW. Accompanied by guitarist Elia Monsef, she performed three excerpts from the album, live inthe studios of Radio Lebanon. Sandmoon was one of the finalists of Radio Liban 96.2FM ‘Nouvelles Musiques’ competition, which took place in 2009 and saw a host of young Lebanese artists sending their demos to Radio Lebanon.
Kevork Keshishian stage-name Diamond Setter is a reference to his previous occupation, when he used to spend strenuous hours in his workshop setting diamonds every day. He decided to relinquish this activity in 2008, and devote all his time to DJing and music production. Following stints in various Beirut bars, Diamond Setter became a resident DJ at The Basement; there, he played alongside several international DJs and musicians, including Tigerskin, Scratch Massive, P-Toile and many others. In parallel to his DJing activities, Diamond Setter holds an impressive track record in the field of production. His partnership with Lebanese DJ/producer Jade yielded a remix for Lebanese electro-rock band Lumi in 2007. The Jade & Diamond Setter duo went on to build a solid reputation as dance music producers, and their tracks received positive feedback on Lebanon’s dance floors. In 2009, Diamond Setter remixed Nina Simone’s “Black Is The Color Of My True Love’s Hair” and Tunisian electro-jazz musician Dhafer Youssef’s “Man Of Wool”. More recent remix work includes Abe Duque’s “What Happened” and Gossip’s “Heavy Cross”, the latter in collaboration with German producer Lopazz. Diamond Setter’s live set is the longest to be recorded for “Ruptures” yet. Clocking in at 34 minutes, it provides an exemplary outlook on this young DJ/producer’s range of styles and influences, from soul to funk, rock to electronica, to film soundtracks and way beyond.